COVID19 rages on. I live in Western New York, where the number of cases and deaths continues to rise, although the New York City area has plateaued. I continue to keep my twice-daily statistics. It's interesting to watch the various columns either forge ahead in numbers, or plateau, sometimes evening out altogether. Some states are thinking of re-opening, but most believe it's far too early to consider doing that. As a result, our economies world-wide have stopped dead in their tracks. Even hospitals are beginning layoffs and pay cuts to the very people who are putting themselves on the line every day, trying to save each and every life that they can.
We grieve the loss of friends and family. We grieve the loss of the school year, graduations, jobs, and opportunities. We grieve the loss of long-planned vacations, adventures, trips abroad. As I consider the heavy losses of human life, I wonder: is it OK to grieve the loss of experience?
My husband and I are retired. We had plans to go to New York City in March to meet up with friends, go to a concert, and generally hang out and visit with people we haven't seen in a while. That was cancelled. We had plans to go to Canada, to visit our family there. We often go up and spend a night, visiting various family members on both days. That was cancelled. We had plans to make our international trip for the year, in June: England (visiting family), Scotland, and Russia. That was cancelled.
But the experience that was cancelled today was the hardest loss of all: every year the New York State Art Teachers' Association spends a full week in the Adirondack wilderness, taking part in the Summer Institute. We live and work at Great Camp Sagamore, one of the beautiful Great Camps of the Adirondacks, formerly the "summer camp" of the Vanderbilt family. It has been wonderfully restored and is now an educational facility. We live in community with 50 artists/educators, taking part in numerous art projects that span many media - watercolor, acrylic, pencil, fiber arts, print making, photography, sculpture, environmental sculpture, puppetry, paper-making...the list goes on and on. We have an astronomer and a naturalist who come every year to teach us the stories of the constellations (using a Celestron telescope on land, and with the naked eye in the middle of a lake from canoes at night), and to teach us about the flora and fauna of the pristine wilderness. We live in the cabins and lodges that the Vanderbilts "roughed it" in. We eat in the dining hall that still rings with the stories and songs of history. There is a beautiful, freezing-cold lake there for swimming, boating, and fishing. It's an amazing place for the spirit and the mind. I have attended the art Summer Institute for ten years, my husband for nine years. The core people and leadership remain stable from year to year, and have become a tightly-knit community. Last year we gave up our spots in order to go to Alaska. We were so excited to return this coming summer.
Today's e-mail from our leaders confirmed what we feared was coming: due to the Corona Virus, the Summer Institute, and I presume all of Great Camp Sagamore's programs, are cancelled. Full stop.
In the grand scheme of things, when lives are lost, jobs vaporize, the economy is at a standstill, and the stock market swings wildly, is it OK to grieve the loss of our beloved summer experience? I believe so. This is not a matter of life or death, but it is a lifeline for those for whom it was created, teachers. Not only is the Summer Institute professional development, but it's also a place for the restoration of the soul. To be in the wilderness, for some, is a brand-new experience. There are at least three generations of teachers there each summer, and I believe it may be nearly four generations now. We encourage each other, nourish each other, learn together, live together, and now we will cry together, across the miles. For this is a great loss.
Over the years, my husband and I have attended a number of events at Great Camp Sagamore, such as the annual Mountain Music and Dance Weekend in the fall. We've gotten to know two distinct groups of people, all artists or musicians, and the phenomenal staff that keeps such an historical treasure running. What will happen to them now? Will the music weekend also be cancelled?
We live in a time of unparalleled uncertainly on so many levels. My way of coping with the loss of the known and familiar is to process it through the five senses. This can be done not only in the present, but also through memory, as a kind of meditation.
What did I hear that day? The wind sighing in the hemlocks.
What did I see that day? A barn full of artists, creating, learning, laughing, talking together.
What did I touch that day? The strings of a dulcimer. The smooth wood of my Irish harp.
What did I smell that day? The wonderful aroma of hot cedars, hemlocks, and pines, as the summer sun turns the forest floor into incense.
What did I taste that day? S'mores, made by adults around a campfire, for some for the very first time.
How did I experience space that day? I looked upon the dawn breaking over a mountain lake, and heard the cry of a loon, far, far away, down at the other end of the misty waters.
"Time it was, and what a time it was, it was
A time of innocence, a time of confidences.
Long ago, it must be, I have a photograph.
Preserve your memories: They're all that's left you."
- Paul Simon













